Category Archives: Interacting With The Audience

“I can suck [Blank] out of a [Blank] as a weasel sucks eggs.”

Fill In The [Blank]

[Blank]ing is a time honored theatrical tradition.  Here are some memorable quotes from plays through the ages… including a hell of a lot of Shakespeare… he’s [Blank]ing dirty!

[Blank] in:

Williams Shakespeare’s As you like It

  • “That her [Blank]s may henceforth be bestowed equally.”
  • “Hereafter, in a better world than this, I shall desire more [Blank] and [Blank] of you.”
  • “My pride fell with my [Blank].”
  • “O, how full of [Blank] is this working-day world!”
  • “[Blank] on, you fat and greasy citizens.”
  • “I can suck [Blank] out of a [Blank] as a weasel sucks eggs.”
  • “Blow, blow, thou [Blank]er [Blank]! Thou art not so unkind As man’s [Blank].”
  • “[Blank] me in one word.”
  • “I do desire we may be better [Blank]ers.”
  • “I am not a slut, though I thank the gods I am [Blank].”

Tom Stoppard’s Arcadia

  • “It’s the wanting to [Blank] that makes us matter.”

William Shakespeare’s All’s Well That End’s Well

  • “Oft [Blank] fails, and most oft there Where most it promises.”
  • “It is like a [Blank]er’s [Blank] that fits all buttocks.”
  • “They say miracles are [Blank].”
  • “A young man married is a man that’s [Blank].”
  • “Make the coming [Blank] o’erflow with joy, And pleasure drown the brim.”

William Shakespeare’s, Antony and Cleopatra

  • “I love long [Blank] better than figs.”
  • “The nature of bad [Blank] infects the [Blank].”
  • “There’s a great [Blank] gone!”
  • “[Blank] was in our lips and yes, Bliss in our [Blank] bent.”
  • “Give me to drink [Blank] That I might sleep this out this great gap of [Blank]…”
  • “Where ‘s my serpent of old [Blank]?”
  • “I do not much dislike the [Blank], but The manner of his [Blank].”
  • “I [Blank]ed him out of patience; and that night I [Blank]ed him into patience; and next morn, Ere the ninth hour, I drunk him to his bed.”
  • “It is shaped, sir, like itself; and it is as broad as it hath breadth: it is just so high as it is, and moves with its own organs: it lives by that which nourisheth it; and the elements once out of it, it transmigrates.” – This quote didn’t need any [Blank]!
  • “O! my [Blank]s have Corrupted honest men.”

Tennessee Williams’ Cat on a Hot Tin Roof

  • “Just staying on it, I [Blank], as long as she can…”
  • “Silence about a [Blank] just magnifies it.”
  • “You can be young without [Blank], but you can’t be old without it.”
  • “[Blank] is important. There’s nothing else to hold on onto.”
  • “[Blank] just outran me, Big Daddy, got there first…”

Anton Chekhov’s The Cherry Orchard

  • “My mistress has come home; at last I’ve seen her. Now I’m ready to [Blank].”
  • “My love is like a [Blank] tied round my neck; it’s dragging me down to the [Blank]; I love my [Blank]. I can’t live without it.”

Edmond Rostand’s Cyrano de Bergerac

  • “He’s famous for his long–[Blank].”
  • “My [Blank] is Gargantuan! You little Pig-[Blank], you tiny Monkey-[Blank], you virtually invisible Pekinese-[Blank], don’t you realize that a [Blank] like mine is both scepter and orb, a monument to me superiority? A great [Blank] is the banner of a great man, a generous heart, a towering spirit, an expansive soul.”
  • “My [Blank] is more polished than your mustache”
  • “You’re a genuinely good [Blank]. There aren’t many of you left.”
  • “Yes, it is perfect. Your white [Blank]…”
  • “God’s whiskers! Your [Blank] is hideous as the demon’s in my storybook!”

Just to end on an overused phrase:

William Shakespeare’s, Hamlet

  • “To [Blank] or not to [Blank], that is the question.”

Fill In The Blank

In the future, we are going to post some quotes from plays we review, formatted like these quotes, and whoever can come up with some of the most creative responses will win some cool stuff!  Keep a look out at a [Blank] near you!

If you feel inspired from any of our quotes, feel free to send us your creative responses.

I hope you all [Blank]ed!

-Shaunessy

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Filed under Fuck The Audience, Interacting With The Audience, Response By The Audience, [Blank] The Audience

When you’re alone and life is making you lonely, you can always go to “Our Town”

I went to see “Our Town” based on a few friends’ suggestions; they had seen it in Chicago/New York and praised it highly. Playwright Joel Kim Booster said, “See it see it see it. Cromer is a goddamn genius, and this show is pretty great.”  Another friend, director Derek Bertelsen said, “Do see it! I saw it in NY and it’s the best thing I’ve ever seen. And I hate everything.”  After reading a few reviews that mirrored these opinions I went to see it this evening.

I enjoyed Helen Hunt’s portrayal of the Stage Manager in a contemporary setting and how interactive she was with the audience. I also enjoyed the lighting design. The fixtures effectively created the atmosphere of an assembly hall in school. I have seen better George and Emily monologues, particularly the monologue when George is expressing his feelings for Emily, and Emily’s final monologue. This could have something to do with the fact that every theater student who attends Millikin University (where I attended), no matter what the major, has to perform these monologues. So lets just say that I am an audience member with some expectations as I have seen some terrible versions of these monologues, and some excellent ones. James McMenamin’s delivery of George’s monologue was very relatable. We could feel his uncomfortable vibe and everyone in the audience was smiling with reminiscent thoughts. All in all actor James McMenamin did a terrific job. In general, Jennifer Grace did a good job with Emily, but the ending Emily monologue delivery was only about average. That monologue has the potential to be a very powerful piece, but my emotional response to it was minimal. The ending set choice saved the show for me.

David Cromer’s staging was clever, interactive, and the ending set reveal, though predictable, was a great spectacle. Rather than appearing from behind a simple black curtain, a more interesting choice could have been made. The base of the idea, however, was both logical and unique. So logical, that I can’t believe the ending hasn’t been done like that before. I commend Cromer for that and can see how my friends had the reaction and recommendations they had. All in all I enjoyed the show as well, but an extra burst of emotion at the ending would have made my night.

http://thebroadstage.com/Our-Town

Some [blank] you should know:

The tickets are a bit on the expensive side, so if you do go, make sure you shell out just a little bit more to sit in the main area and NOT in the balcony or ‘Level B.’ Speaking with someone during the show who switched seats at the first intermission, (he saw an open seat) he said it was a completely different experience and way more enjoyable. I spent $80 bucks on my ticket, and that was with a discount, I was sitting in ‘Level A’, which were great seats. The ‘Premiere’ seats are the best, considerably more expensive, but you sit directly on the stage, so that’s neat.

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Filed under Interacting With The Audience, Reminiscing With The Audience